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Ballet Luminary Matthew Ball on Demanding Roles and Online Scrutiny: 'I'm Not Protective About My Body'

Within the quiet ambiance of a lounge near London's prestigious dance company, Matthew Ball requests a mint tea. The dancer's posture is naturally upright, his limbs defined beneath a simple white T-shirt. On stage, ballet dancers can appear like powerful deities, yet frequently in person they are small. This is not true for Ball, whose tall stature is one reason for his popularity for princely characters and partnering. With fine features and piercing eyes, there's a hint of Robert Pattinson about him.

An Apparent Rise to the Pinnacle

Now 31, Ball is experiencing the crest of a career that has progressed smoothly. Growing up in Liverpool, he faced minimal teasing for his childhood passion in ballet. Entering the esteemed training institution at 11, he moved directly into the troupe and was advanced each year, attaining the top rank of lead dancer in 2018. He has relished taking on substantial dramatic roles, especially the psychological angst found in a famed choreographer's works.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

Ball's upcoming starring role is as himself, in an "Evening With" series aiming to offer behind-the-scenes insights into a performer's craft. He will walk the audience through a part, showing his mental workflow while execution. Yet in lighter ballets, the challenge is profound. "A classic ballet is one of the most demanding technically," he states.

The Psychological Game and After the Show Feelings

What about after a show, when he has succeeded? "It's pretty good," he admits. "But because I'm trying to squeeze all the emotion out of it, and get immersed in the character, frequently I do feel embarrassed later. After Mayerling I'm always like: Wow, what must people think?"

In person, Ball is reflective, mild-mannered, and prone to laugh at himself. Yet a choreographer previously remarked on a "kind of suffering in him." Is there? "I'm quite active in general, but I do have a dark side," he reveals. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an instigator for good change."

Early Drivers and Artistic Inspirations

Ball's tenacity stemmed from early setbacks. Not excelling in competitions at school made him "driven!" It was fuel to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he recalls.

The next endeavor is creating his own choreography. In his view, "organic movement has value." "Breaking the conventions is interesting, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing ideas from books, compositions, and painting.

Close-Up Dance and Personal Dynamic

He additionally is interested in staging dance in smaller spaces. "It was just really exciting," he says of a past show. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a person, and they’re sweating.'"

Ball has made duets with his girlfriend, fellow principal Mayara Magri. The degree of trust between them is clear. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." The couple are not typically paired on stage at their home company, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always smooth sailing," he admits. "Yet I feel like we’re each other’s favorite cheerleader."

On Social Media and Bodily Perception

On Instagram, followers can see clips from his projects and images that showcase a athletic physique. Does he mind that the response can be a bit objectifying? Not really. "The body is just what we use, so I don’t feel very precious about it," he explains. He compares it to seeing Michelangelo’s David—an object that can be seen on multiple ways.

Ball characterizes his younger self as "eager for success." Did it lived up to his hopes? "I feel very aware of how reality is a separate reality to the dreams you had as a child," he muses. He probably has about ten years of dancing left. "I guess in the time to come, I want to be a bit more kind with myself."

Written by

Bobby Smith

Elena Voss is a seasoned journalist and analyst with a passion for uncovering global stories and connecting dots across cultures.

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